本应该生活在日常的七位少年少女，却突然被一名自称mother的神秘人打破了生活的平衡，在困惑，质疑，恐惧，背叛，虚伪的笼罩下，他们的命运又将如何呢？

Artists drawing or painting their mother has become iconic in art history—from Whistler through Freud, Cezanne, Hockney, Ingres, Gauguin or Durer, whose brutally honest portraits of his mother insisted that ‘Even the smallest wrinkles and veins must not be ignored’. Paul Graham’s first major body of work since 2014’s Does Yellow Run Forever? contains portraits of his elderly mo...(展开全部)

本应该生活在日常的七位少年少女，却突然被一名自称mother的神秘人打破了生活的平衡，在困惑，质疑，恐惧，背叛，虚伪的笼罩下，他们的命运又将如何呢？

Bill Bryson's Mother Tongue is a hymn to the English language. In examining how a second-rate, mongrel tongue came to be the undisputed language of the globe. Bryson explores English from America to Australia and looks at, among other things, swearing, spelling, spoonerisms and Scrabble. No self-respecting English speaker should open his mouth without reading it.

Terjadi pembunuhan mengerikan terhadap seorang anak laki-laki di kota tempat Honami tinggal. Korban bahkan diperkosa setelah dibunuh. Berita itu membuat Honami mengkhawatirkan keselamatan putri satu-satunya yang dia miliki. Pihak kepolisian bahkan tidak bisa dia percayai. Apa yang akan dia lakukan untuk melindungi putri tunggalnya itu?

1928. The Mother is an unusual book, both in its story and its setting in a remote Sardinian hill village, half civilized and superstitious. But the chief interest lies in the psychological study of the two chief characters, and the action of the story takes place so rapidly (all within the space of two days) and the actual drama is so interwoven with the mental conflict, and a...(展开全部)

1928. The Mother is an unusual book, both in its story and its setting in a remote Sardinian hill village, half civilized and superstitious. But the chief interest lies in the psychological study of the two chief characters, and the action of the story takes place so rapidly (all within the space of two days) and the actual drama is so interwoven with the mental conflict, and a...(展开全部)

A companion novel to "Slaughterhouse 5", covering similar themes and drawing on the author's experiences as a prisoner of war in Dresden. A black satire, it tells of an American spy in Germany who becomes confused by his own methods as he sends his coded messages by using pro-Nazi radio broadcasts.

D. A. 米勒（D. A. Miller），加州大学伯克利分校英文系约翰•F. 霍奇斯（John F. Hotchkis）教授，其他著述有《简•奥斯丁，或风格的秘密》（2003）等，他还为《电影季刊》撰写专栏。

◎作者简介 安·奥克利 （Ann Oakley ），英国社会学家、作家、伦敦大学学院社会学和社会政策教授。长期从事性和性别、家务、分娩、身体社会学、女权主义研究。代表作有《看不见的女人：家庭事务社会学》《性、性别和社会》等 2011年，英国社会学协会授予其终身成就奖。牛津大学萨默维尔学院授予其荣誉院士的称号。 ———— ◎译者简介 王瀛晨，南开大学管理学学士；伦敦大学国王学院在读硕士，专业方向新兴经济体与国际发展问题。